Friday, January 8, 2010

January 12, 2010

NIGHTMARES!






purple ducks

      under a river bridge . . .
brown bags


robert d wilson
©2010


When I was shipped Stateside after my tour of duty in Nam, I disembarked an airliner at Travis Air Force Base and soon learned that I'd anded in the middle another war zone.  This was a war unlike the one we fought in Vietnam.  America was engaged in a civil and uncivil war between millions of young people and adults who no longer bought what our government advocated regarding the Vietnam War
and the way it ran the country with the immoral help of the CIA ,the FBI, and those supporting military Industrial Complex, a trillion dollar industry supported by Firestone Rubber, Shell Oil, the Tungsten industry, and others who had financial interests in South Vietnam, even though it meant endorsing two consecutive dictators, as ruthless or more than the Communists we were fighting.


Over 50,000 American lost their lives there, million were maimed physically and/or psychologically ( I am one of them ). Millions of civilians were murdered by both sides. We napalmed innocent women and children,  lighting up their frail bodies like roman candles.  The enemy had multiple casualties and like us, were doing what we were ordered to do by the U.S. Congress and the North Vietnamese Communist party closely aligned with China, the Communist nuclear armed country that literally keeps WalMart and other stores afloat due to China's use of child and slave labor.

Runaway teenagers, rich kids, the heir to the Ford Automotive industry, and others wore miss-match clothing that defied the so called norm, whatever that means and whoever made it, walking aimlessly through the maze inside Timothy Leary's emptying mind; the Harvard University Psychology professor who openly promoted the use of LSD like P.T. Barnum, a drug legally prescribed by psychiatrists until 1967, to insane patients in hope of giving them an alternative route to sanity; shouting the anthem: "Turn off, Tune in, and Turn on!"

Sang Stephen Stills with the Buffalo Springfield:

"There's something happening here.
What it is ain't exactly clear.
There's man with a gun over there
telling me i've got to beware . . . "


The America I came home to was not the America I'd left. There was no warm welcome for us. People threw eggs at us, called us baby killers, and the VA refused to give us counseling. We were an anathema to many people. The first day I got home, I visited my fiance. She never let me inside. She said I'd changed and closed the door on me.  I got in a motorbike accident that same week.  I was riding home from a friend's house high on hashish, and a car broadsides me shooting the bike and me 50 feet in the air down the street.  Needless to say I was a bloody mess with rocks imbedded in my knees, etc.  I asked the car's driver (his family was in the sedan as well) if he was alright. He looked at me increduously and said, "No, are you alright?"  He drove me to my parent's house and the look on my mother's face when she saw the condition I was in, is unforgettable.  I left the family home two weeks later, unable to adhere to my parent;s rules of being in bed by ten every week night.  I've slept in a car with an u-pottie trained puppy, lived in an awol sanctuary in an historic Unitarian church, and once rented a house with a friend for $40 a month, which had no electricity or heat.  And the toilet wasn't fastened to the ground.  I went through a variety of job before going to college. If I went into detail about everything that happened when I came home you think I'm crazy.  One is never the same after living in a war zone.  Think if the Vietnamese who had to live in it all their lives.

The Wonderland Amusement Park is never what it seems.  Enter and become a MEMBER if you enjoy this blog.  If you don't stop reading it.

if i didn't
know better and i
don't, i'd
think she pushed me
over a cliff


aft, she calls
summer a dream she
can't live with


the moon
tonight, fed you a
hamburger
made of missed vowels . . .
shared with co-workers


anger seethes
inside of my cone . . .
like taal


will the walls
speak to me again
in waves . . .
impersonating
the voice of God?


many roles
to play, and secrets . . .
chance of rain?


just like
always, the poor
bitches take
you for a ride,  to
get the golden egg


is it karma,
my being used?
cloudy skies


the poor here
bereft of spirit,
of feeling . . .
they dance the dance
of christmas lights


dancing with
a mannequin . . .
late spring


at night, when
porcelain saints sleep
in boxes
their husbands get drunk
and sleep with those who feel


feelings?
watching the tide
go out



she wants to
know what i'd do if she
falls asleep
while i fuck her . . .
masturbation?


nightmares .  . .
belong to those who
swallow spring


she sings a
different song, fucking
other men,
a job, she says, my work . . .
telling me sleep


her womb
a lair to further
summer


she won't fall
asleep on the job or
need a lube . . .
our dreams moored in
different harbors


markham's
man with the hoe, a
salted egg?


the unborn
baby her mother
blessed, can
be a bastard . . .
swathed in semen


are they
whores, sharing dreams
with summer?


marriage,
a dream encouraged
by the cloth . . .
a farmer planting
too many fields


she hangs my
dick on poison oak . . .
summer drought


hate keeps me
from getting used . . .
the acid in
dragon's belly,
a lubricant


to be a
wren and complain
to the sun!


he cares more
for his prize rooster
than his wife . . .
sunday morning, his
path to the promised land


trike drivers
play tong-its* waiting
for summer


*tong-its is a gambling Filipino card game
played in a mah jhong style.


careful, the
footsteps crossing
your path . . .
could be words searching
for a place to rest


will she nest
tonight before summer
and dry grass?


are they stars,
the sparkles on the
lake . . . or thoughts?


why the wrath,
the sarcasm in
your voice?
was it a memory
i reminded you of?


waiting for
an egret to sod the
grass with song


early to
rise, these songbirds,
but not
before the rooster . . .
lifting up his wings


a three lined
poem, a haiku?
scattered clouds


tomorrow's
balut, the duck's eggs . . .
the cold, brown
hand of her owner
slipping underneath


she stared a
hole through my wife . . .
a draught year?


a stolen
kiss, the thought of some
one holding
you close to his bare
chest, asking for nothing


why do i
wade chest deep in
another's bath?
madness, the fulfillment
of a nightmare?


robert d. wilson
©2010

Thursday, January 7, 2010

January 7, 2010


And Sanity Scurried!                                                                                                                                                                    





I was watching a segment of Francis Ford Cappola's Vietnam War movie, Apocalypse Now, two nights ago and it reminded me once more of the similarities between an LSD trip and being a serviceman in the
Vietnam War during the late 1960's.  Both are dreams dreamt awake; a life seasoned with flashbacks, hallucinations, sleeplessness, light shows, too long, too short, brownouts, blackouts, purple water, buffalos stampeding through mirrors and neon-lights,  the morning's red glare more than a line lifted from the American National Anthem  . . .

One minute I'm eating breakfast in the tin roofed chow hall  on the Navy side of Dong tam, yakking away between gulps, during gulps, downing helpings of  omelets with real eggs, real meat, when I hear the all too familiar whistle of an incoming rocket, the chow hall roof pelted with shrapnel, then another whistle, and another . . .    "It's wonderful to be here, it's certainly a thrill.  You're such a lovely audience, we'd like to take you home with us . . . " I belt out from under the table we took cover under, making an adrenaline dash with three shipmates to our duty stations, rockets falling in front of us, behind us . . . "I don't really want to stop the show, but I thought you might like to know, that the singer's going to sing a song and he wants you all to sing along . . ."


An officer in the bunker outside the chow hall orders us to seek shelter in the bunker, calls us crazy sonabitches. We ignore him, instinct tells us to report to our duty stations on the top secret  . . . our lucky talisman, but not today, a rocket hits the pontoons, another tears a whole into the . . . 's entrance . . . rockets behind us, nowhere to go but into the dragon's mouth . . . running past the bloodied bodies of two shipmates, the stench of metal, the stench of flesh . . ."They've been going in and out of style,but they're guaranteed to raise a smile . . . "


Ordered pandemonium, shocked faces, no time to think, to remember, instinct doing what it does when during times like this . . .  I don my flack jacket, helmet, M-16 (as if it can stop incoming rockets and mortars), running aft to my duty station . . . "General Quarters.  General Quarters.  All hands man their battle stations!"  Hyper-alert, not thinking, a  cleared headed buddha staring into a world that doesn't exist, is, or isn't.  A dream?  Hallucination?  Drowning out the dragon's roar; automatic ammo whizzing past me like gnats . . . no enemy to see, only sounds, a thousand Godzillas stomping through the muddy hole we call a bay bordering a base that used to be a rice field, the whispers of elders, soft ice cream cones without the ice cream, the world as we know it changed, altered, a section of Salvadore Dali's Hallucinogenic Toreador ?  A genesis taking place when least expected . . . thoughts other than chit chat" and omelets . . . "We hope you will enjoy the show . . . Sit back and let the evening go. "                                
                                        
This is just a glimpse into the hell only a Vietnam Veteran experiences . . . and remembers;  an experience that changes a 19 year old forever.  I counted the days until I went home, but  . . . what I came home to . . .  had changed. I went from one battlefield to another.

Welcome to The Wonderland Amusement Park, the subconscious and conscious diary of Robert D. Wilson, using haiku, senryu, haiga, and tanka as his means of expression.  Enter at your own risk.  And if you dare, become a member.  Who knows, one day I'll send you a news letter.

*The lyrics in parenthesis are excerpted from Sgt. Pepper's Lonely Hearts Club by the Beatles.


the smell of a 
carabao eating shade . . .
human candles 
swallowed by a
hundred dragons


robert d. wilson
©2009







she goes through
the moves to sustain
the charade
she thinks i've swallowed . . .
the actress's walk






stolen fruit . . .
anything to buy
a dream!




i sowed seed
n the moonlit fields of
too much loam . . .
tomorrow, a sprout,
suckling sunlight




stepping
through a brother's blood . . .
and for what?




even clouds
can't erase the ah
of my day . . .
dawn's breath fertilized
with a farmer's smile




blossoms . . .
hearing them
smile




she told me she
liked me, then folded me
into a
paper airplane and
flew down the hall




5 days in
january . . .
dogs in heat!




yesterday
she learned she was
in heat . . .
oddly hungry,
horny as hell!




the dance of
ducks on empty lines . . .
bathing summer




the smell of a
carabao eating shade . . .
human candles
swallowed by a
hundred dragons


moist eyes . . .
like the fog straddling
lake taal*


*pronounced ta-all . . . a volcano in the middle of a large lake
that once was connected to the sea.




we lost all
sense of time, swimming in
our own worlds . . .
jack-in-the -boxes
using the same key




feeling paints
a rainbow in her loins . . .
morning doves






that light brown
color of the onion field . . .
fatigued, she
walks slowly around
the muddy pond




buds sip
sunlight in palms . . .
spreading song




more tender than
before, her breasts, point
to autumn . . .
and the slowness
of falling leaves




the smile i've
saved for twilight dawn . . .
not a dream?






robert d. wilson
©2009